Camera, January 1974. Volume 53, No. 1. Composit. Camera Magazine Dahlberg positions Regnault as a

Dahlberg positions Regnault as a vital bridge between the worlds of art and science during a period of shifting cultural boundaries

physical exhaustion

Weegee earned his nickname through an uncanny

allowing viewers to appreciate his uncanny anticipation of 20th-century modernist composition

Known for transforming mundane

Camera, January 1974. Volume 53, No. 1. Composit. Camera Magazine Dahlberg positions Regnault as aEdited by Allan Porter. Featuring Dean Brown (color landscapes in Alaska, Arizona, California, New York and Texas; John Vink (Belgium); Mehdi Khonsari (Iran); and Geoff M. Rainbow (tors in Dartmoor, England). Near fine copy. Summary: The January 1974 issue of Camera represents a quintessential example of the magazines dedication to high fidelity printing and the exploration of "place" through both color and monochromatic lenses. Under the editorship