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filmic or artefacts connected with death
Half of the images in the book are of the imagined landscapes that saved me
Theatre of the People
and seeming to be in a foreign country without a map
the first ever for a British photographer
EDMUND CLARK: Still Life: Killing Time filmic or artefacts connected withTaken over the course of more than a year of exclusive access, this work applies large format still life photography to the context of a unique prison community, E Wing at Kingston Prison in Portsmouth. For eight years this was Britains only wing dedicated to holding elderly lifers: murderers, rapists, paedophiles and other violent criminals aged from their late 50s to over 80 years old. Still Life: Killing Time, is not simply a reportage about a
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