The Viewer as Voyeur. April 30–July 8, 1987. Signed book but rather the direct result

but rather the direct result of their toxic environment

Archival Context: Previously unpublished installation photographs of the 1967 gallery space

These glass negatives provide a level of detail and clarity often superior to early film

" It reveals him as a sophisticated urbanite and a pioneer of West Coast Modernism who found the sublime not just in Yosemite

With biographical note

The Viewer as Voyeur. April 30–July 8, 1987. Signed book but rather the direct resultWhitney Museum of American Art at Philip Morris, 1987. Essay by Andrea Inselmann, Grant Keste, James Peto, and Charles A. Wright, Jr. Exhibition catalogue of 28 works in various media by sixteen twentieth century artists and photographers, including Walker Evans, Weegee, Edward Hopper, Eric Fischl, Joseph Cornell, Reginald Marsh and others. Wraps, 12 pages, 8 illustrations (1 color). Very good with a few small crimps. Summary: The Viewer as Voyeur